Saturday, January 4, 2020

Rhetorical Analysis Of The Emoji Movie - 1005 Words

Introduction: In the past few weeks there has been great backlash on a movie that had been released called ‘ The Emoji Movie’. Megan Garber, a staff writer at ‘ The Atlantic ‘ situated in Washington releases an article on why ‘The Emoji movie ‘ fails. The goal I want to achieve by writing this essay is to identify how the author builds the argument of the topic using different rhetorical strategies and check if the author established solid credible evidence to validate the arguments she made. Summary and Description of Rhetorical Situation: The article being discussed was released on August 4,2017 shortly after the release of the movie on July 28, 2017. Megan writes this text to explain the problems with the movie and later on supporting†¦show more content†¦It is stated that The Emoji Code condemns The Emoji movie as it portrays emojis as a language, however Evan’s views it as a tool, which is considered an addition and not a threat. The article mentions that the reason that emojis are vastly used is because of its flexibility, meaning that there is no specific way to use them. For example the writer of the emoji could use it with a certain meaning but the recipient could interpret an extremely different message. An example mentioned was when the singer Drake got a tattoo and people thought it was two hands praying or even a high five, however Drake soon addressed the situation by confirming that his tattoo was indeed praying hands. It is also mentioned t hat people have associated certain emojis to specific actions. For instance a car emoji can represent people commuting, sunglasses on a smiling face can represent coolness, a winking face can represent that the message was intended to be humorous and many more emojis have many more meanings. Initially, emojis were intended for a specific purpose, but eventually began being used for fun and a way for people to express themselves. Towards the end of the article Alex French, a reporter for The New York Times states that a popular business in Hollywood is taking existing work and converting it into a fresh story. In a recent study it was shown that the only purely

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